大家好，感谢邀请，今天来为大家分享一下写隶书的技巧的问题，以及和隶书写法冷知识的一些困惑，大家要是还不太明白的话，也没有关系，因为接下来将为大家分享，希望可以帮助到大家，解决大家的问题，下面就开始吧！
本文目录
隶书的书写特点和把握原则
答：隶书是我国较古老的书法之一，隶书法以古朴舒展，苍劲有力，如龟如鳖，扁方有度为特点，隶书书法端庄大气，秀丽隽永，很受人们喜爱。书写隶书，要注意以下几点：
一是讲究蚕头雁尾。写横画时逆锋入笔先写出蚕头，再顺势向右写出雁尾。
二是讲究雁不双飞。就是有几个横画时，只选其主笔作蛋头雁尾，其余横画正常写出即可。
隶书创作技巧与要领
一、篆隶结合：篆隶结合是指将隶书和篆书结合在一起写，在用笔上表现为线条的圆浑，多使用中锋。
二、造型奇特：隶书的造型具有突出的特点，或纵长取势，或宽扁见长，皆具风神。传统的隶书造型多取横扁之势，而当代隶书作品的造型则多纵长取势，这是当代隶书创作特别注重的一种变异方法，反其意而用之，却取得了一种特殊的造型效果。
三、融入行草：每一种字体的发展都是建立在实用书写的基础之上的，隶书也不例外，当人们在实用书写时为了追求便捷，便会加入一些行草书的笔意。隶书以汉隶为本，另潜心研究汉代帛书、简牍，并将其和行草书融入到传统的汉隶之中，便开辟了隶书的新的写法——草隶，也充分体现了书家的性灵之美。
四、金石趣味：当代书法家在篆书和隶书的创作中追求金石趣味，是清代以来书法家所进行的探索的继续，在隶书作品中融入一些金石气息，可以增加作品的视觉冲击力，使得原本就古朴厚重的隶书更添苍茫、浑厚的感觉，作品看起来也更加有质感。
五、碑帖杂糅：在隶书作品中融入简牍笔意和情趣，是当代隶书发展变化的又一特点。简牍帛书是隶书发展和创作的一个宝贵的取法之源，并且也是隶书发展最为快速的载体。许多书家都潜心研究简牍帛书，从中寻求隶书创新的道路。
写隶书的技巧
隶书是五体中最容易学的字体，相对可以快速成型。没有基础的人，2个月就可以照着帖写个七八分形似。
毛笔
刚开始学习书法的时候根据不同的字体选择合适的笔，隶书用的比较多的就是兼毫笔，兼毫笔是介于羊笔与狼豪笔之间的一种毛笔，写的时候非常有韧性，吸墨比较大，非常适合书写。
羊笔是用青羊或者是黄羊的尾毫制作而成的，比较适合笔比较重的书法，写出来的字比较的柔软,没有笔锋，粗笔的吸墨比较大，写出来的字笔画圆润厚实，粗笔十分耐用。
隶书在用笔的时候注意起笔蚕头收笔燕尾，所以在写的时候要注意将笔画写成一种近似蚕头的形状，收笔的时候向右上方斜向挑笔出锋。
技巧
横画
横画是隶书中有特色的笔画，往往以“横飞”为美。隶书的横画有两种，一为平横，一为波横。
有方笔圆笔两种。
平横
是指横呈水平状，一般逆锋起笔，折笔中锋运行，回锋收笔或露锋收笔。平横有凸形、凹形和基本平形。
波横
是波笔的一种，是指横画具有俯仰之态。一般逆锋起笔，折笔重顿，形成蚕头，然后提笔运行，至收笔处顿挫出锋，形成燕尾。亦有蚕头小燕尾大的现象。波横一般要写得厚重圆润，蚕头、燕尾都要饱满，横中略向上弯。
竖画
竖画一个笔画多数为圆起圆收，有些竖末端较尖，亦不属楷书悬针竖，而是写时自然收结。隶书的竖一般均为逆锋起笔，中锋徐行，藏锋收笔。竖画在隶书中有三种形式：中竖，向左弧竖，向右弧竖。也有方笔，即逆锋起笔，向左上角切，折笔下行。虽然竖画在隶书中不如波画有特色，但书写时同样不可轻视。
勾画
竖勾
藏锋起笔后转笔向下，宜挺直，至转弯处要圆转，然后向左运笔，边行边提出锋。
短勾
该笔画在行至转弯处，要求圆转，其钩不宜粗大，微向上钩。
横折钩
该笔画实为折与钩的组合，在书写时把二者有机的结合在一笔，做到连贯自然。
横钩
藏锋逆入向右行笔，行笔至钩处，提笔向上转笔向左下写钩（斜势），用笔先按后提，钩露锋收笔。
硬笔
用美工笔或者是套装的漫画笔，注意提按，隶书的波折就体现出来了。
技巧
横画
隶书的横切记“雁不双飞”即每字只应有一个重点的波磔横。如年字上两横为平横，其笔势宜缩，末横为波磔横，其笔势应放。
竖画
竖多用于门字以及象门字这样以对称竖作为主笔的字中。双人旁的竖笔用右弯竖，如德，往，役，征等字。隶书的直竖用得较多,有悬针竖、垂露竖等。
勾画
横勾
横沟就是横画末端带出来的一个小钩，关键是要把前面的横写好，写到末端停住迅速带出个小钩。横钩有点像是鹰的嘴巴。
练习
勾摹法
所谓勾摹，就是将字帖中的字用描摹纸进行勾线后再描写的一种书写方法，这种方法适用于初学隶书的书法爱好者。
其方法是：将字帖放置于桌面，再将书写纸盖于字帖之上，用铅笔在上面进行单线或双线勾勒，一个字一个字地勾完成，最后将字帖抽出，放在目光之前，在勾好的毛边纸上进行填充描写。
这样做的效果是容易规范笔法和字形，缺点是较费时间。
放大精准书写法
放大精准书写法的目的是为了更加准确地看到原字笔画及字形的主要特点，以利于精准临摹。
其方法是：将字帖中的几个或多个字进行复印放大，甚至可以放大到10倍以上，在临摹时可以看见点画中的“笔法"，如提按、绞转，尤其是对于笔画的粗细会看得十分清楚，临摹时就会掌握它的笔法了。
对临法
有了一定基础后，我们就可以进入到对临的方法之中了。所谓对临，就是照着字帖去临摹。许多人一开始就进入对临阶段，这个方法对于初学者来说是不提倡的。但是，对临恰恰可以培养书写能力，提升书写水平。
对临时，要注意几个问题，一是控制好速度，不可太快。二是注意节奏变化，节奏其实就是用笔的方法，后面再谈。
%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"隶书是五体中最容易学的字体，相对可以快速成型。没有基础的人，","id":""},{"type":"text","text":"2","id":""},{"type":"text","text":"个月就可以照着帖写个七八分形似。","id":""}],"text":"","id":"doxcnIGA0a8ew4OiQ8LDKtavVcb"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"毛笔","id":""}],"text":"","id":"doxcnm8gCkmAYgsiy4GtJs4hGYb"},{"type":"paragraph","children":[{"type":"text","text":"刚开始学习书法的时候根据不同的字体选择合适的笔，隶书用的比较多的就是兼毫笔，兼毫笔是介于羊笔与狼豪笔之间的一种毛笔，写的时候非常有韧性，","id":""},{"type":"text","text":"吸墨比较大，非常适合书写。","id":""}],"text":"","id":"doxcnUUI0GwQIuaOwZiGEfPhHhw"},,"attrs":{"height":400,"note":[{"type":"text","text":"毛笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/441b3ff703f64ae591b26373a9b1b04c","width":600},"text":"","id":"doxcnkgWwe2EKWWeosRBuw24Icc"},{"type":"paragraph","children":[{"type":"text","text":"羊笔是用青羊或者是黄羊的尾毫制作而成的，比较适合笔比较重的书法，写出来的字比较的柔软,没有笔锋，粗笔的吸墨比较大，写出来的字笔画圆润厚实，粗笔十分耐用。","id":""}],"text":"","id":"doxcnQ0YsAsoOuWOYYt3PU6JHJf"},,"attrs":{"height":400,"note":[{"type":"text","text":"毛笔","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/4b18945b1d7b461485c144627863a888","width":600},"text":"","id":"doxcniyWokkeQKM8Yw5by1Yek0e"},{"type":"paragraph","children":[{"type":"text","text":"隶书在用笔的时候注意起笔蚕头收笔燕尾，所以在写的时候要注意将笔画写成一种近似蚕头的形状，收笔的时候向右上方斜向挑笔出锋。","id":""}],"text":"","id":"doxcn0egWue0wQq8cA1qSdrPGke"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"技巧","id":""}],"text":"","id":"doxcneykoe8CUycSieitcvk3DOf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"横画","id":""}],"text":"","id":"doxcn4ycG2eoIaq2m4O2ZUwijfd"},{"type":"paragraph","children":[{"type":"text","text":"横画是隶书中有特色的笔画，往往以“横飞”为美。隶书的横画有两种，一为平横，一为波横。","id":""}],"text":"","id":"doxcn2YIYQ00OO2MUcLIgm7PiEg"},{"type":"paragraph","children":[{"type":"text","text":"有方笔圆笔两种。","id":""}],"text":"","id":"doxcnYOyYkeukMS20GK404KXGue"},,"attrs":{"height":394,"note":[{"type":"text","text":"横画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/e995a3a37a28463cad9a61ed890c8d3c","width":872},"text":"","id":"doxcnY8ESA0WU2Yg4uqu9uUBeec"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"平横","id":""}],"text":"","id":"doxcnuQka4QwqGYYwAHSPzRlw3g"},{"type":"paragraph","children":[{"type":"text","text":"是指横呈水平状，一般逆锋起笔，折笔中锋运行，回锋收笔或露锋收笔。平横有凸形、凹形和基本平形。","id":""}],"text":"","id":"doxcnCsk6egS8c4SKcR9edvoA3c"},,"attrs":{"height":93,"note":[{"type":"text","text":"横画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/e2e01b232f1042c3a31bad117a15455a","width":185},"text":"","id":"doxcn4WEykyEI00Ws0WvNAJCyEf"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"波横","id":""}],"text":"","id":"doxcn0M2ICYWQkGUmQ50sb8CWse"},{"type":"paragraph","children":[{"type":"text","text":"是波笔的一种，是指横画具有俯仰之态。一般逆锋起笔，折笔重顿，形成蚕头，然后提笔运行，至收笔处顿挫出锋，形成燕尾。亦有蚕头小燕尾大的现象。波横一般要写得厚重圆润，蚕头、燕尾都要饱满，横中略向上弯。","id":""}],"text":"","id":"doxcnISe6460c6E4Qkv4dbI6jwd"},,"attrs":{"height":118,"note":[{"type":"text","text":"横画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/995399a440d04702bf196dc2f50c252c","width":276},"text":"","id":"doxcngE82IyGUKug0uYVS16piBb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"竖画","id":""}],"text":"","id":"doxcnA06giC2wscuYIPyd0VQP6b"},{"type":"paragraph","children":[{"type":"text","text":"竖画一个笔画多数为圆起圆收，有些竖末端较尖，亦不属楷书悬针竖，而是写时自然收结。隶书的竖一般均为逆锋起笔，中锋徐行，藏锋收笔。竖画在隶书中有三种形式：中竖，向左弧竖，向右弧竖。也有方笔，即逆锋起笔，向左上角切，折笔下行。虽然竖画在隶书中不如波画有特色，但书写时同样不可轻视。","id":""}],"text":"","id":"doxcnC8AMwyKUkEyYwUo30cjTrb"},{"type":"imageList","children":[,"attrs":{"height":97,"note":[{"type":"text","text":"竖画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/02265416663949e1bec8106b5805fff6","width":329},"text":"","id":"doxcnioUi0IOsW6Sk6j46PTXAUd"},,"attrs":{"height":392,"note":[{"type":"text","text":"竖画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/07e73a0940744fa2a4a8735f3fbb166a","width":652},"text":"","id":"doxcn0msUQW6QOWOeK4tAdLgAVc"}],"text":"","id":"doxcno862QKKoM80SACDoXFKmfb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"勾画","id":""}],"text":"","id":"doxcno862QKKoM80SACDoXFKmfb"},{"type":"paragraph","children":[{"type":"text","marks":[{"type":"strong"}],"text":"竖勾","id":""}],"text":"","id":"doxcn8K8UUieQ24u6OcbTeqpTid"},{"type":"paragraph","children":[{"type":"text","text":"藏锋起笔后转笔向下，宜挺直，至转弯处要圆转，然后向左运笔，边行边提出锋。","id":""}],"text":"","id":"doxcniiQ46q20q8iE0QYFkT55Qf"},{"type":"imageList","children":[,"attrs":{"height":171,"note":[{"type":"text","text":"勾画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/8e1269eff6a147c8a53c8d25072b828e","width":193},"text":"","id":"doxcnA4qe62yeaoGoUJm2Y5lyEd"},,"attrs":{"height":486,"note":[{"type":"text","text":"勾画","id":""}],"url":"{{image_domain}}tos-cn-i-qvj2lq49k0/931bd51bd23c48d0a907bf6aec445287","width":430},"text":"","id":"doxcnIW444iwqmCEOIzMWpB7kre"}],"text":"","id":"doxcnWmOsKac6AUAOEvgVtCzIqU"},{"t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隶书的基本理:即蚕头雁尾大劈叉，横宽竖窄，笔画横粗竖细，字膀要顿露……
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